Le Revenant

Charles Sorley

He trod the oft-remembered lane
(Now smaller-seeming than before
When first he left his father’s door
For newer things), but still quite plain

(Though half-benighted now) upstood
Old landmarks, ghosts across the lane
That brought the Bygone back again:
Shorn haystacks and the rooky wood;
The guide post, too, which once he clomb
To read the figures: fourteen miles
To Swindon, four to Clinton Stiles,
And only half a mile to home:

And far away the one homestead, where–
Behind the day now not quite set
So that he saw in silhouette
Its chimneys still stand black and bare–

He noticed that the trees were not
So big as when he journeyed last
That way. For greatly now he passed
Striding above the hedges, hot

With hopings, as he passed by where
A lamp before him glanced and stayed
Across his path, so that his shade
Seemed like a giant’s moving there.

The dullness of the sunken sun
He marked not, nor how dark it grew,
Nor that strange flapping bird that flew
Above: he thought but of the One….

He topped the crest and crossed the fence,
Noticed the garden that it grew
As erst, noticed the hen-house too
(The kennel had been altered since).

It seemed so unchanged and so still.
(Could it but be the past arisen
For one short night from out of prison?)
He reached the big-bowed window-sill,

Lifted the window sash with care,
Then, gaily throwing aside the blind,
Shouted. It was a shock to find
That he was not remembered there.

At once he felt not all his pain,
But murmuringly apologised,
Turned, once more sought the undersized
Blown trees, and the long lanky lane,

Wondering and pondering on, past where
A lamp before him glanced and stayed
Across his path, so that his shade
Seemed like a giant’s moving there.

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Analysis (AI Assisted)

This poem captures a powerful sense of nostalgia and the bittersweet realization that time changes everything, even the things we hold dear. The speaker, returning to a familiar place from his past, finds that the landmarks and scenery are no longer as they once were, and the passage of time has altered even the most concrete of memories. The journey back home is both physical and emotional, as he encounters the remnants of his past that, though unchanged in some ways, no longer hold the same meaning.

The imagery of the “oft-remembered lane” and the “old landmarks” creates a sense of familiarity, while the sense of something lost becomes apparent when the speaker reflects on the differences: the trees are smaller, the home is unchanged yet different, and the past seems both present and unreachable. The mention of the guidepost and the distances to various places shows a moment of reconnection with the physical world, but it is followed by the awareness that his perspective has shifted—he is no longer the same person who once journeyed down this lane.

The moment when the speaker reaches the window and is not remembered is a striking turning point in the poem. The realization that the home he left behind no longer holds any place for him forces the speaker to confront the painful truth that the past cannot be revisited. The familiar sights and sounds that once defined his identity are now just distant memories. This moment of disillusionment leads him to ponder the changes within himself, even as he continues down the same path, feeling out of place.

The repetition of the imagery of the lamp and the speaker’s giant shadow reflects the tension between memory and reality. His shadow, once a symbol of his own journey and hope, now feels oversized and out of sync with his surroundings. It represents the weight of the past and the loss that accompanies trying to return to something that no longer exists.

The poem is a poignant reflection on the passage of time, the inevitable changes it brings, and the realization that no matter how much we try, we cannot return to the past. It illustrates the gap between the idealized memories we carry with us and the reality that time, growth, and change leave in their wake. The speaker’s return, though filled with nostalgia, ends in quiet acceptance of the fact that he cannot be remembered in the way he once was. The journey through the lane is not just physical; it’s a metaphor for coming to terms with the fleeting nature of time and identity.

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